You don’t often get TV criticism at Head of Legal, but last night’s episode of Criminal Justice, the BBC’s new five-part drama about a murder trial, requires comment. Lindsay Duncan played Alison Slaughter, leading counsel for the defence, and I think the BBC are damn lucky they got her to do it. I’ve seen her make Pinter comprehensible and compelling, and she even made the ridiculous part she was given dramatic, and even slightly credible, in an overplayed way. But once she left after about forty minutes the best thing about Criminal Justice had gone and it was more obvious even than it had been before that this was a tired, clichéd, naively idealistic-yet-cynical legal drama of the sort we really don’t need.

I’m not of the school that believes TV drama needs to be relentlessly true to life in its detail, so small inaccuracies like the fact that a remand prisoner had to wear prison uniform can pass, I suppose. And it’s possible he’d have had to share a cell with a convicted prisoner; I’d like to hear from those who know prisons better than me whether it’s at all likely he’d have had to share with more than one. But when the entire presentation of a trial is skewed so as show the system in its worst possible light (lying, corrupt policemen, barristers who despise everyone and make up the defence case) then I think there is a problem. The pity is that criminal trials are compelling and dramatic in themselves, without there be any need to tart them up like this.

It’s the clichés that really got to me: the hard-bitten defence solicitor with an estuary accent who just cares about results and is incapable of fastening his top button; the hard-faced woman barrister who looks down on the pathetic rest of the world; the biased judge; the fresh-faced “rookie” barrister who plays a blinder. You only have to look at the BBC’s guide to the various characters to see how familiar they are. Here’s one:

Hooch is an insightful, world-weary, once-violent criminal. He has finally learnt to stop fighting what he can’t overcome and has found a place for himself in the world as a “listener”.

Need I say more? Pete Postlethwaite, who plays Hooch, surely got his fill of this sort of stuff in In the Name of the Father, you might have thought. But no.

And apart from this, there was speechifying in the guise of cross-examination, recalling witnesses to force them to admit there’s a crucial missing bit of evidence, last-minute desperate appeals to the deceased’s friend to “help”, and a sneeringly arrogant prosecution counsel. If you’re going to make hokum, why not make out-and-out laughable hokum like Judge John Deed? At least that really is funny. I’m afraid this is an equally lazy and uninspired legal drama, but which unfortunately seems to have ideas about itself. I’m sorry this is the best new legal drama the BBC could produce as part of its courtroom dramas season.

2008-07-03T09:58:00+00:00Tags: |